next up previous contents
Next: Bibliography Up: 21. Mm versus Optical Previous: 21.2 Getting the fringes   Contents

21.3 Atmospheric behaviour and noise properties

Table 21.3 summarises the properties of the atmosphere and the resulting noise (including also the instrumentation) at both wavelengths.


Mm versus optical interferometry: Atmosphere & Noise properties
Item Radio mm Optical
$ \lambda $ 0.6mm to 1cm 0.4 to 30 $ \mu $m
$ \nu $ 30 to 450 GHz 10 to 600 THz
Comparison given for $ \lambda
\sim 1.3$mm $ \lambda \sim 1
\mu$m
     
Noise sources background limited photon limited
  (gaussian) (poisson)$ ^*$
Main instrumental noise Receiver (thermal) Detector (read-out)
  thermal sky emission  
Signal Detection $ T_{signal}/T_{sys} \sim 10^{-2}.10^{-4}$ photon limited
     
Seeing origin Variation of W(H$ _2$O) Variation of $ T_{atm}$
     
Fried Parameter $ r_o$ $ >$ antenna $ \leq$ telescope
(size of the coherence cell)    
     
Coherence Time $ t_o$ several 10 minutes $ \sim $ 10 milli-seconds
(time to reach $ \Delta \Phi
\approx 180^o$)    
     
Equivalent to Single-speckle Multi-speckle
     
Atmospheric correction    
     
Photometry monitoring of T$ _{sys}$ ``standard'' photometry technics
     
Seeing radiometric tip tilt
  phase correction adaptive optics
     
Phase Calibration phase referenced $ t_o$ too short
  on nearby sources closure phase on dual interferometer
Measurements complex correlator rates: $ r_i$,$ r_r$ $ V^{raw}_{12} = \frac{I_{max} -
I_{min}}{I_{max}+I_{min}}$
  complex visibility $ V$ fringe contrast
Information on $ \mid V \mid$ & $ \Phi_V$ $ \mid V \mid$, amplitude
Imaging Complex visibilities Phase retrieval by
    closure relations
Algorithms all standard imaging + amplitude model fitting
    in the UV plane

$ ^*$ Note that for $ \lambda \geq 2.5 \mu$m, the atmosphere and the telescope are starting to contribute as main sources of noise (thermal emission), therefore the noise becomes background limited.


next up previous contents
Next: Bibliography Up: 21. Mm versus Optical Previous: 21.2 Getting the fringes   Contents
Anne Dutrey